Loop glitching, live vocal processing, performance looping, and a six-track machine synth — all running natively on the Move via Schwung, the framework for custom modules on Ableton Move hardware. Every module ships with a full interactive operation manual and on-device help.
Grab a quantized loop of live audio, auto-slice it, and let seeded randomness assign glitch effects and a new play order to the slices. Inspired by Sugar Bytes Looperator and dblue Glitch — patterns repeat identically every pass until you re-roll, and the Seed knob browses them by number.
Runs in Signal Chain slots and Master FX — glitch a synth, or the whole Move mix.
Standalone build that reads Move's selected input — mic, line-in, or USB-C — directly in one slot. No routing required.
Full-surface Smack: the whole pad grid becomes a step-FX editor for the input loop.
Autotune-style pitch correction, up to four diatonic backing-vocal harmonies, a stereo doubler, and a formant knob — on the Move's own mic, line-in, or USB-C input. One YIN pitch analysis drives every TD-PSOLA voice, so seven voices cost barely more than one, at ~26 ms fixed latency.
Chain + Master FX build — processes whatever is upstream in the signal chain.
The live-vocals build: a standalone slot synth on the hardware input, same chain UI and engine.
The Boss RC-505 workflow on the Move's pad grid: five independent stereo loop tracks cycling record → play → overdub, measure-snapped to the first loop or Move's MIDI clock. Move keeps playing underneath, so its own tracks are your rhythm section.
Per-track stop/clear, level, pan, reverse and one-shot, with single-level undo/redo of the last take.
move.local: faders, pans, FX, modes, session gridSix machine types — SuperWave Saw / Pulse / Ensemble, a SID 6581-style oscillator, a DigiPRO-style 12-bit wavetable, and two-block FM — each with an AHDR envelope, dual-cutoff resonant filter, distortion, EQ, sample-rate reduction, stereo filtered delay, and three assignable LFOs with 114 destinations.
Full-surface six-track machine synth with an internal 64-step sequencer.
One machine voice inside a normal Move track, driven by Move's own pads and sequencer.
Twenty-six machines — a source stage and two insert FX — across eight tracks, each with four LFOs, a modulation envelope and a sequencer lane.
The same twenty-six machines, loaded into a chain slot as the source so Move’s own effects come after them.
Full-surface Work: eight tracks of twenty-six machines on the live input, with a step sequencer driving parameter locks.
All modules run on Schwung, the open framework for custom JavaScript and native DSP modules on the Ableton Move.
Browse to move.local:7700 on the same network as your Move and open the
Module Store.
Search the store by name, or use Install Custom Module with any of the repository links above. Updates show up in the manager automatically.